INDIAN FILM INSTITUTE

The story by Akshat Ghildiyal, set in middle class Delhi’s Central Government quarters remains centre-stage while Priyamvada’s doting husban

Yashraj Films gets 50 per cent marks – for trying. Actually, that’s unfair. The same marks should be divided between performances, concept a

Saadat Hasan Manto was a writer far ahead of his times – at least 75 years ahead. But this measure is rather literal and I am saying this be

Here is a genuinely funny film. The wise cracks are novel, treatment different and the genre ‘horror comedy’ (as its maker likes to define i

For a film which had the potential and possibly the vision of examining the very sensitive issue of ‘us’ and ‘them’ (read Hindus and Muslims

Set in Udaipur, Dhadak tries to capture the local flavors in its use of the local dialect, Mewari. But it doesn’t capture caste divisions in

Let’s talk about the problematic part first. One of the places where Shaad Ali fails to deliver in Soorma is when Sandeep Singh - portrayed 

When you walk into watch Sanju and watch it you should – you will see only Sanjay Dutt. That is right. Please don’t look for Ranbir Kapoor b

Are producers Ekta Kapoor and Shobha Kapoor attempting a version 2.0 of Lipstick Under my Burkha – which they distributed? Because that is i

And the diminutive, petite Alia Bhatt stands the tallest amongst all the others in Raazi – a film that revolves around her and appears as th

Anil Mehta’s cinematography is something you do not even notice when you sit down to watch a film. He keeps it simple, keeps himself out of

When friends rally around but move on because its more practical – remember October   When relatives in your hour of crisis stay back only t

When it takes more than 10 minutes of screen time before the hero gets to speak his first dialogue, you can be certain that our film of the

Without shadow of a doubt, ‘Hichki’ is Rani Mukerji’s film. As someone suffering from Tourette Syndrome – a neuropsychiatric disorder which

With a great ensemble crew like filmmaker Raj Kumar Gupta, scenarist Ritesh Shah, music composer Amit Trivedi, editor Bodhaditya Banerjee an

In its fourth outing, it is the turn of Tasha urf Urvashi Rautela who seeks to destroy not one but three men in one shot! Her sole aim - a f

The slow-paced 3 Storeys is an interesting amalgamation of 6-7 lives which intersect or move parallely but are imbued with life.

Akshay Kumar cannot be Arunachalam Muruganantham – on whose life is based his latest film ‘Padman’. And R. Balki is not Shyam Benegal. Perha