The story by Akshat Ghildiyal, set in middle class Delhi’s Central Government quarters remains centre-stage while Priyamvada’s doting husban

Yashraj Films gets 50 per cent marks – for trying. Actually, that’s unfair. The same marks should be divided between performances, concept a

Saadat Hasan Manto was a writer far ahead of his times – at least 75 years ahead. But this measure is rather literal and I am saying this be