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How I Made It: Fire of Teak Flame Of Chinar (2020)

The film explores the friendship and love that develops between two people from different places of turmoil, who try to seek refugee in each other. The girl is from the persecuted Rohingya Tribe from Mayanmar who is now an Indian refugee. The boy hails from Kashmir, which has always remained a controversial and volatile territory in India. The story is about their experiences when they cross paths, the love that grows between them, and the possibility of a life together. The film attempts to document the turbulent times we live in and tries to realistically depict the current state of affairs.

121 Mins | Bengali, Hindi, English, Rohingya | Drama, Socio-Political Love | 2020 | India

In its persistent mission and zeal to promote good cinema, the Indian Film Institute brings you the experience of the Director of the film - Kumar Chowdhury

Why this subject matter for your film?

If only there were a world without racism, casteism, bigotry, imperialism, it would have been a different place. I wanted to make a film that shows how general or ordinary people sacrifice their lives in political violence. How people become homeless after being deported from their own country. On the other hand, how an ordinary individual stands up tall and stretches helping hands to another ordinary individual even though they belong to different countries and hence, different lives. In fact, I wanted to make a film about this turbulent decade.

Where did you find the story for this film?

2012-13 onwards, I have followed every news from Myanmar. In 2015, I read an article about a Rohingya girl from Myanmar in a magazine. Then I collected all the related data from different areas and tried to create a story around it.

What were the challenges you faced in making the film?

As it is a very sensitive subject, we faced a lot of challenges in making this film. We did not allow any media or press throughout our shooting days because the story of a Rohingya girl and a Kashmiri boy is very sensitive. Another big challenge was finding finance. In true sense, there is no Producer. It's purely an Independent film. My wife, Mrs. Piyali, took a personal loan (at a huge rate) and sold her ornaments to produce this film, and with the help of crowdfunding we completed the post-production of the film. Also, we went to shoot in Kashmir after the abolition of Article 370. That was also very challenging.

Did you face any problems in releasing the film?

The film is still running in the Festivals. After Diorama International in Delhi, " FIRE OF TEAK FLAME OF CHINAR..." has been Officially selected in 26th Kolkata International Film Festival (Asian Select NETPAC AWARD category), 7th Rajasthan International Film Festival (bagged Best Debut Director- Critic’s Choice), Druk International Film Festival (bagged Winner, Outstanding Achievement Award), 23rd UK ASIAN International Film Festival in London.

So, after few months we have a plan to release the film. And we need a releasing partner to release the film as we have no more budgets.

What was your background before making your first film?

I was into the world of theatre and acting since my school days. I joined PLT (Utpal Dutta) in my post-graduation days. Then I started my professional career as an actor in TV and Films. Within a few years, made my mark as an important character artist in Bengali film Industry. Then I started Directing Telefilms and Short films. " FIRE OF TEAK FLAME OF CHINAR..." is my debut feature film.

How do you think filmmakers like you can overcome common challenges like finance and distribution?

Finance is very essential. Low-budget films exist but no-budget films don't. And it is very difficult to get a Producer or investor for any Independent film. But the positive